
James
Dalessandro has written a book that is absolutely impossible to put
down. Your first temptation will be to race from one chapter to the
next—resist the urge!
Slow down and enjoy the smallest details of character, plotting and
deeply researched historical information. The terrifying moment when
the earthquake strikes will keep your eyes drilled into the pages of
this riveting book. The moments in between are filled with crime,
corruption and compassion that will leave you breathless.
Simply put, 1906 is this year's best read—and next year's,
too. —Melanie Morgan, Talk-Show Host, KSFO
Screenwriter and novelist Dalessandro (Bohemian Heart)
pens an imaginative and dense interplay between fact and fiction in
this story of corruption, crime lords and the great San Francisco
earthquake of 1906. Annalisa Passarelli, the Evening Bulletin's music
critic, narrates the tale with a mix of first-person intimacy and cool
omniscience. She's secretly helping the chief of detectives, Byron
Fallon, gather dirt on a corrupt political syndicate headed by Adam
Rolf, city attorney and power broker. Rolf (a fictional character) owns
the "puppet-mayor,"? Eugene Schmitz (an actual person), and is
supported by an army of goons and waterfront toughs led by the infamous
Shanghai Kelly, who, as Dalessandro notes in his afterword, was
actually dead by 1906. Byron aims to arrest the mayor, the police chief
and the city attorney in one fell swoop, but when he is killed
investigating a murder at the waterfront, it's up to his son Hunter, a
Stanford graduate and fledgling police detective, to carry his mantle.
Annalisa and Hunter appeal to an association of honest cops known as
the Brotherhood (co-led by Hunter's brother, Christian), who are
dedicated to destroying Rolf's machine, although Hunter also has
personal vengeance on his mind. They secure incriminating evidence, but
before justice can be served, the earthquake strikes, plunging the city
into chaos. This plot-and all its subplots, one starring a beautiful
Kansas runaway, another featuring tenor Enrico Caruso-might have worked
beautifully, but Dalessandro employs too many B-movie theatrics, and
the love story falls flat. Still, there's plenty of suspense to keep
readers turning pages to the bittersweet conclusion. —
Publisher's Weekly
Interwoven
storylines—civic corruption, sex, high-profile murder, Enrico
Caruso—lead up to, then involve the 1906 San Francisco earthquake and
fire. Frustrated young newspaper reporter Annalisa Passarelli, who
narrates, wants to cover politics but is consigned to cultural events
like the upcoming performances of world-renowned tenor Enrico Caruso
and rising dramatic actor John Barrymore. Nonetheless, Annalisa tracks
the escalating war between the crimelords working the Barbary Coast
(Shanghai Kelly, The Whale, and Scarface being three of the most
notorious) and the overworked police force headed by righteous
Lieutenant Byron Fallon. Byron's elder son Christian has followed in
his father's footsteps, but younger son Hunter is attending Stanford.
When a policeman is murdered while investigating a waterfront
shanghaiing operation, Byron personally checks it out-and meets the
same fate. Hunter and Christian, helped by Annalisa, follow a trail of
graft and depravity that leads all the way up to the office of city
attorney Adam Rolf, a highly respected citizen. Meanwhile, geologists
tracking recent trends warn of the disaster to come, but the civic
crooks put personal gain well above public safety. The lynchpin in a
cabal that includes railroad magnates, crooked cops, and avaricious
politicians, attorney Rolf regularly hires courtesans of the famous
Madame Tessie Wall. Indeed, Kansas teenager Kaitlin Staley, dreaming of
fame and fortune, runs away from her domineering father and straight
into the arms of the predatory Wall and Rolf. Both Barrymore and Caruso
are onstage the night before the early morning quake (Caruso's
pre-performance rituals are outlined in amusing detail), and
Dalessandro tracks a dozen other denizens of Nob Hill, Pacific Heights,
Bush Street and elsewhere in the hours before the tremor. An
action-packed final third dramatizes the quake and subsequent fire, and
their impact on the sprawling cast of characters. Prelude to the
disaster feels a bit like woolgathering, but Dalessandro (Bohemian
Heart, 1993, etc.) pays off with an exciting and vivid depiction
of history. — Kirkus Reviews
It is not
every afternoon that the city's top brass take tea under the
gilt-and-glass dome of the Garden Court in the Palace Hotel. But last
week, San Francisco's new fire chief, Joanne Hayes-White—in her
gold-braided uniform and signature ponytail—perched across the tea
table from Alex Fagan, the former police chief who now heads the
Mayor's Office of Emergency Services and Homeland Security. The two
people most accountable for the city's response in a disaster, Fagan
and Hayes-White were on hand to support a new book about the San
Francisco earthquake that promises to be a publishing sensation—and to
warn that when the next monster quake hits, citizens must be prepared
to play an active role in response to the emergency. — San
Francisco Chronicle
James Dalessandro's 1906 is a bold, sweeping
novel inspired by one of the biggest epic disasters in American
history, the great San Francisco earthquake and fire. It's a richly
textured, engrossing, and extraordinary tale.
— Vincent Bugliosi, author of Helter Skelter
This gallop through earthquake-era San Francisco is
loaded with admirable historical detail and reveals the raptor civic
corruption as murderous as the San Andreas fault. — Oakley
Hall, author of Ambrose Bierce and The Queen
of Spades
 
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